Unit 4
   English 201: 
  Masterpieces of Western Literature
.Unit 4 Reading Course Reading Entry Page
Introduction Background .Explication Questions Review

Explication:
Reading: W&H: 275-332, The Odyssey, books 1-4.

This is unit 1/5 on The Odyssey.  Several themes are set in motion.

The Iliad announced its theme in the first lines: "Anger be now your song."  Similarly The Odyssey announces its theme:
1.1      the story
           of that man skilled in all ways of contending [with the troubles of life]

The Greek word for "skilled" is arete.  We will see that the queen of Phaiakia is named Arete.  The art we are concerned with is the art of weaving or nurturing the polis.  AK destroyed civilization.  OD struggles to build civilization.

Many of the themes in ODY will be familiar to you from The Iliad.  For example, Zeus talks about sophrosyne or the wisdom to accept fate:
1.45    how mortals take the gods to task!
           All their afflictions come from us, we hear.
           & what of their own failings?  Greed & folly
           double the suffering in the lot of man.

Notice the demeanor of the Olympians.  They do not appear as awesome & terrifying powers.  They offer counsel & advice.  They do not compel people.  Consequently, the quality of human life is entirely in our hands.  There is no one to blame but us.
1.51    Aigisthos
           knew that his own doom lay in this [killing AG].  We gods
           had warned him, sent down Hermes . . . .
           Friendly advice -- but would Aigisthos take it?

Like AK, who told Thetis, "you cannot make me listen," Aigisthos also refused to listen & paid with his life.  OD is the model of the man who listens, not just to those who possess the power to get his attention, but to little girls: Ino, Nausikaa, the awesome one in pigtails.

The ODY begins with OD's success.  Athena says her heart is broken for OD because he is missing, he seems destined to be forgotten.  Zeus himself says:
1.83     My child, what strange remarks you let escape you.
           Could I forget that kingly man, OD?
           There is no mortal half so wise
 
This is as good as it gets in the ancient world.  Imagine Zeus looking down from the clouds on the anthill of our world.  Thousands of years zoom by & the ants scurry.  Is any one of them memorable?  If Zeus remembers you because he respects your accomplishments . . . well there is no higher possibility.  What we want to know is how OD achieved this status.

There is now a break in the dramatic scene.  We find ourselves in Ithaka, at OD's house when Mentes knocks on the door (1.129).  Two things happen.  Homer associates dreaming with reason & we learn about the first requirement for the polis: hospitality.
1.139    Long before anyone else, the prince Tel
            now caught sight of Athena--for he, too
            was sitting there, unhappy among the suitors,
            a boy, daydreaming.
1.146    he who dreamed in the crowd gazed out at Athena

Perhaps this seems strange.  Daydreaming seldom gets your homework done.  Consider 2 things.  The suitors are corrupt.  They pursue the hard realities of the world, primarily money.  They are blind to the divine.  Secondly, there is a nerd theme.  The math or physics nerd is typically ostracized from the "cool" crowd, perhaps playing with models of the world in something that resembles dreaming.  How surprising that Al Einstein, who apparently never owned a comb, is on familiar terms with Reason herself.
 
1.147    irked with himself
            to think a visitor had been kept there waiting.

Again, 2 things are going on here.  First, we notice the law of hospitality.  This is not a Christian virtue.  Underlying the offer of hospitality is a muted display of power.  When a notable man knocks at your door, you invite him in, thereby demonstrating that you are not afraid.  In fact you have such power that you can afford to be vulnerable & entertain this man.  Of course there is also an invitation to have this man respect your power.  It is pretty much the same game that we saw played out in The Iliad, without the overt violence.  The second thing that is going on is that TEL is playing "man of the house."  He is irked & jumps up to take command.  We will see TEL oscillating between being a child & becoming a man.  Like the man he hopes to be, TEL confides to Mentes:
1.192    they have an easy life,
            scot free, eating the livestock of another

Mentes/Athena agrees, commenting:
1.263    How arrogant they seem,
            these gluttons . . . .
            A sensible man would blush to be among them.

Mentes then advises TEL:
1.309    If I were you,
            I should take steps to make these men disperse
1.312    call the islanders to assembly
to invite their support in kicking the suitors out.

Mentes gives voice to TEL's adolescent feelings:
 1.333    You need not bear this insolence of theirs,
             you are a child no longer.  Have your heard
             what glory young Orestes won

Tel immediately acts on Mentes advice trying to expel the suitors:
1.406    Insolent men . . . no more shouting
1.411    At daybreak we shall sit down in assembly
            & I shall tell you--take it as you will--
            you are to leave this hall

Just as PEN was shocked by TEL's manly tone, now the suitors find:
1.421    TEL's bold speaking stunned them

Consider Eurymakhos' inquiry.  He hopes to mollify the child who wants to be a man ("keep your property, & rule your house" 1.442), then gets to the point:
1.446    a question or two about the stranger

What does Eurymakhos want to know? (This will be asked again in the Chat session).

Book 1 ends with TEL reverting to childhood.  His old nanny (Eurykleia) puts him to bed:
1.482    There he sat down, pulling his tunic off,
            & tossed it into the wise old woman's hands.
where TEL dreams of:
1.488    the course Athena gave him.

The next morning TEL tries to be a man again, addressing the assembly of Ithaka, hoping to shame these men (dike) into standing up to defend OD's property:
2.49      My distinguished father is lost,
            who ruled among you once, mild as a father.

You went over this section in the Introduction under the heading of "the Polis." TEL asks:
2.68    Where is your indignation?  Where is your shame [dike]?

  The answer is not they have no shame or morality, but that they have no courage.  Thus one of the suitors mockingly asks:
2.254   Will this crowd risk the sword's edge over a dinner?

Mentor echoes TEL::
2.242    It is so clear that no one here remembers
            how like a gentle father OD ruled you.
2.249    What sickens me is to see the whole community
            sitting still, & never a voice or a hand raised
            against them--a mere handful compared with you.

Ironically, TEL (a boy) has identified the problem.  What is needed are not children to express gratitude to a powerful father who does everything for them.  What is needed (in the polis) are men willing to suffer for justice.  Men who are proud that their power is dedicated to justice. The prototype of that citizen is, of course, OD.

Before we leave the suitors, notice their express contempt for all values.  They sound like Polyphemos (9.286 "We Kyklopes care not a whistle for your thundering Zeus or all the gods in bliss"):
2.207    we fear no one,
            certainly not TEL, with his talk;
            & we care nothing for your divining [religion], uncle,
            useless talk.

Perhaps the polis can afford to tolerate a few such uncivilized delinquents when they destroy only their own lives.  They cannot be mothered & indulged or even ignored until they imperil civilization.   Narcissist delinquents don't need more approval from mom.  They don't need a mild father.  They need to be held accountable to the objective (& universal) standards of civilized behavior.  If you were not outraged by the suitors earlier, this scene should make you angry:
2.314    Antinoos came straight over, laughing at him [Tel] . . . .
            High-handed TEL, control your temper!
            Come on, get over it, no more grim thoughts,
            but feast & drink with me, the way you used to.

At least 3 things are going on here.  First, we feel outrage that Antinoos would presume to act as TEL's father.  Secondly, his intent is to corrupt.  ANT advises TEL to forget his troubles & get drunk.  Thirdly, we wish for AK to have a little talk with ANT.  There is a place for power & even violence in a just world.  Perhaps Zeus knew what he was talking about in The Iliad when he said of AK:
(Iliad) 24.186    He is no madman [as the suitors clearly are]
                        no blind brute, nor one to flout the gods

Book 2 ends with TEL put to bed by Eurykleia.  Again he has failed to be a man after grimly threatening ANT:
2.328    Now that I know, being grown, what others say,
            I understand it all, & my heart is full.
            I'll bring black doom upon you if I can--

Obviously TEL cannot.  He lacks the power, which is painfully obvious in the mockery & counterthreats of the suitors:
2.338   Well, think of that!
           TEL has a mind to murder us.
2.345    Well now, who knows?
            He might be lost at sea, just like OD

The title for book 2 is "a son awakens" to be a man.  This means facing your own troubles instead of letting dad or mom handle them. Strangely, mothers would keep their sons children forever.  Thus Eurykleia laments:
2.381    Dear child, whatever put this in your head? [to grow up]
            Why do you want to go so far in the world--
2.386    Stay with your own [family], dear, do.  Why should you suffer
            hardship & homelessness on the wild sea?

The answer to both questions is, I want my own name, my own identity, which is obtained only by facing trouble & overcoming it.  Thus the book ends with the suitors sleepily unable to "hold their cups" (2.415) while TEL is wide awake, making:
2.453    libation to the gods,
            the undying, the ever-new . . . .
            & the prow sheared through the night into the dawn.

In books 3 & 4, TEL sees the world & shops for alternatives to the squalor he knows at home.  Nestor's palace is too stiff & formal & geriatric.  Menalaos' palace is a bordello kept by Helen.  Even before Nestor learns who is guest is, he asks him to pray:
2.3.46   Friend, I must ask you to invoke Poseidon:
            you find us at this feast, kept in his honor.

Nestor's advice (remember he is an old man) is to stoically endure the suffering that is life:
3.249    as for death, of course all men must suffer it:
            the gods may love a man, but they can't help him
            when cold death comes to lay him on his bier.

He is haunted by the failure of the struggle in The Iliad to establish piety & justice. He cannot forget AG's disastrous homecoming. Finally he advises TEL to:
3.341    call on MEN
            he being but lately home from distant parts [Egypt]

How rich is MEN?
4.71     TEL could not keep still, but whispered,
            his head bent close, so the others might not hear:
            My dear friend [speaking to Nestor's son, Peisistratos], can you believe your eyes?--
            the murmuring hall [big enough for echoes], how luminous it is
            with bronze, gold, amber, silver, & ivory!

Did piety & reverence & tradition produce the good life for Nestor?  We just read his philosophy: "the gods may love a man, but they can't help him."  We want something more than grim, Spartan endurance.  Does MEN's money produce the good life?
4.102    How gladly I should live one third as rich
            to have my friends back safe at home!

Helen (beauty/money) is the cause of all these deaths.  MEN is either crying or drugged into hazy forgetfulness:
4.106    nothing but grief is left me
            While I sit at home
            sometimes hot tears come, & I revel in them.

MEN goes round & round this cycle:

Watch Helen dawn in our muddy world:
4.127    while he [MEN] pondered, Helen came
            out of her scented chamber, a moving grace
            like Artemis, straight as a shaft of gold.

There is almost an explosion of associations emanating from this light.  We can smell her perfume before we hear or see her.  She is Grace, a frequent epithet for Aphrodite; but our expectation (with the perfume) is confuted.  She seems to be innocence, Artemis.  She is a shaft of golden sunlight arrowed into our dark & shadowy world.  But she is a shaft, like that of an arrow, that can kill in an instant.  Skip ahead to see how ANT perishes:
22.9    the cup was in his fingers:
          the wine was even at his lips: & did he dream of death?

ANT anticipated drinking beauty.  How shocking to find the taste of blood & an arrow through his throat.  Perhaps the greatest danger is that beauty is self-deprecating, suggesting that it offers nothing but enjoyment.  Helen says, in effect, "what, little ol' me.  I am not that important.  Or if I was, I shouldn't have been":
4.153    that year the Akaian host made war on Troy--
            daring all for the wanton that I was.

Ironically, Helen's beauty does not bring joy.  Everyone weeps:
4.191    grief rose up in everyone,
            & Helen of Argos wept, the daughter of Zeus,
            TEL & MEN wept,
            & tears came to the eyes of Nestor's son

Beauty cannot cure the cause of our suffering, which is time & death.  But, like liquor, it can cause us to forget:
4.229    it entered Helen's mind
            to drop into the wine that they were drinking
            an anodyne [to grief], mild magic of forgetfulness.
            Whoever drank this mixture in the wine bowl
            would be incapable of tears that day--
4.338    The opiate of Zeus's daughter [beauty] bore
            this canny power.

Now let's see MEN run around his pathetic circle.  Helen hopes to "cheer the time with stories" & tells about the time OD snuck into Troy to reconnoiter.  Helen boasts that she alone recognized him &:
4.266    in the end I bathed him & anointed him.
She boasts that:
4.270    He spoke up then, & told me
            all about the Akhaians, & their plans--
            then sworded many Trojans through the body
            on his way out with what he learned of theirs
            The Trojan women raised a cry--but my heart
            sang--for I had come round, long before,
            to dreams of sailing home

Why doesn't she follow OD out of Troy then?  This speech does not quite contain as many first person pronouns as AG's homecoming speech:
(p. 632) 795 I salute my Argos & my gods,
my accomplices who brought me home & won
my rights

Nonetheless, Helen also makes it obvious that all the violence whirls around her beauty; that beauty that cannot be controlled.  Drugged & drunk, MEN still smolders, remembering his version of Helen & the one man should could entice, OD:
4.288    inside the hollow horse, where we were waiting
            . . . for the Trojan slaughter,
            when . . . you came by . . .
            & Deiphobos, that handsome man, came with you.
            3 times you walked around it, patting it everywhere,
            & called by name the flower of our fighters,
            making your voice sound like their wives.

Does Helen know that Akhaians are inside the horse?  Of course she does.  What is the point of this story?  That the fate of Troy & the lives of every man on both sides are in whose hands?  AK, AG, ODY -- none of them, but in the hands & in the whimsy of Helen.  If she decides to tell the Trojans that there are Greeks inside the horse, the Greek cause perishes.  If she says nothing, Troy perishes.  Languorous & limp Beauty triumphs over raw power.  & what is MEN's feeling about this; about Helen then married to Deiphobos as she strolls around the horse with him, knowing her husband is inside.
     MEN is a satellite to Helen.  Proteus tells him:
4.585    As to your own destiny, prince MEN,
            you shall not die in . . . Argos
            rather the gods intend you for Elysion . . .
            where all existence is a dream of ease.
4.595    For the gods hold you, as Helen's lord, a son of Zeus

MEN's greatest accomplishment is being a frequent escort for Helen!  Pathetically, he asks TEL to remember him (4.619).  What is there to remember?  MEN has no identity.  He is money & a mirror for Helen's beauty.

Book 4 ends with the threat of murder to TEL.  If MEN is an addict who has lost control of his life, TEL might be another victim of Beauty, murder by men who will stop at nothing to possess PEN.
4.731    They plan to drive the keen bronze through TEL

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