Unit 1 |
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English 201:
Masterpieces of Western Literature |
.Unit 1 Reading | Course Reading | Entry Page |
Introduction | Background | .Explication | Questions | Review |
Explication:
Reading: W&H
(Wilkie & Hurt, 4th ed.): 129-62.
If we were in a traditional classroom, I would quote the following lines & explain why they are important in several contexts, e.g.: to the plot, to Homer's themes, to Western values. We can do almost the same thing here. The numbers preceding the quotation refer to the chapter & line in The Iliad. Our theme for this unit is power.
1.1 Anger
be now your song, immortal one,
.........Akhilleus'
anger, doomed & ruinous
The invocation to the muse identifies
our national problem (as Greeks/Westerners), which is not sin (disobedience
of authority), but rage (uncontrolled violence). Rage will destroy
not only the individual (AK, PAT), but the polis as well.
1.12 The Greeks are suffering plague (typhoid?) why? Because AG has sought to evade his fate to keep his prize of war, a girl aptly named Khryseis. Her father is a priest of Apollo.
1.26
The soldiers murmured their assent:
"Behave well to the priest. & take the ransom!"
But AG would not. It went
against his desire.
The idea is: evade your duty, avoid troublesome
obligations, & do what you desire. The result is that AG's comrades
suffer, AG's leadership suffers, & ultimately he is compelled to accept
fate. The Homeric metaphor for this is that we suffer until "our
knees buckle" & we kneel to accept our fate. The point is that
we would have avoided much of the suffering, if we had simply had the wisdom
to accept fate. On the other hand, this is not fatalism or passive
acceptance of everything & anything. Sometimes you must struggle
to determine if, indeed, some event is fate.
1.131 Yes,
if you like, I rate
her
higher than Klytaimnestra, my own wife!
For all of that, I am willing now to yield her
if it is best; I want the army saved
Notice the word "rate." AG doesn't
say he loves Khryseis more than his wife; he rates higher.
She is a marker to gauge AG's status. This is obvious as he continues
his speech:
You must prepare, however,
a prize of honor for me
. . .
that I may not be left without my portion
Power is the only thing our warriors are
interested in. Honors (including women, money, formal recognition)
gauge power. In the beginning, the rivalry between AG & AK is
about which kind of power is more necessary for the polis?
The kind of brutal power exhibited by AK or the less tangible power of
military tactics & leadership represented by AG.
AK speaks up, knowing that if AG relinquishes
his prize, he will appropriate the next best prize, which belongs to AK.
AG's response makes it clear that the rivalry is not about the women they
supposedly love (Khryseis & Briseis), but about power & honors.
AG asks AK:
1.157 What
do your really ask [AK]? That you may keep
your own winnings, I [the general & leader] am to give up mine?
Notice how the scene proceeds grimly &
slowly, almost like stalking or circling before a fight. AG is daring
AK to defy his authority. Thus AG grimly says:
1.211 Khryseis
being required of me by Phoibos Apollo,
she will be sent back . . . .
That done, I myself
will call for Briseis at your hut & take her
. . . to show you here &
now who is the stronger
& make the next man sick at heart -- if any
think of claiming equal place with me.
AK is a big baby who only knows his immediate
needs or appetites. His mom (Thetis) is a goddess who has always
given AK whatever he wanted. But no one, even if his mother is a
goddess, gets exactly what he wants all the time. Moreover, even
when AK gets what he wants, it turns out not to be what he wants!
His response is frustrated rage. He has no patience or temperance
to accept reality. Here AK is about to kill AG. The joke is
that The Iliad promises to end before it even gets started!
1.226 as
he slid
the big blade slowly from the sheath, Athena
came to him from the sky.
& Athena, stepping
up behind him, visible to no one
except AK, gripped his red-gold hair.
What would you expect God to say?
Yahweh says to Adam: obey or suffer. Athena says pretty much the
same thing: "obey me (the personification of reason/wisdom) by resisting
the impulse to indulge your immediate emotions":
1.242 It
was to check this killing rage I came
from heaven, if you will listen.
1.251 But hold
your hand. Obey.
AK is so brutal & such a narcissist
that it is important to recognize that he does obey the direct commands
of power greater than his own. Consequently, he is not guilty
of hubris:
1.254 When
you two immortals [Athena & Hera
-- the goddesses Paris spurned]
speak, a man
complies, though his heart burst.
Forbidden to kill AG, AK sulks, promising
AG:
1.289 You
will eat your heart out,
raging with remorse for this
dishonor
1.294 Nestor is an important character. He is a father or grand-father figure who consistently counsels temperance, cold blooded analysis, caution.
Notice what AK does after turning Briseis
over to AG:
1.404 The
girl went, loath to go
1.407 Often
he [AK] spread his hands in prayer to his mother [Thetis]
AK asks mom (Thetis) to have Zeus kill
his friends or comrades!
1.470 [Ask]
if he will take the Trojan side
AK does not want the Trojans to annihilate
the Greeks. He wants the Greeks to recognize that AG cannot save
them, but that he (AK) could. AK wants the troops to beg him to return
to the battle. Remember that everything in Homer is symbolic, not
historic. What does this scene suggest? AK hopes to demonstrate
that his kind of power [battlefield violence] is more essential to the
survival of the polis than AG's kind of power [political].
Notice that Zeus' relationship with his
wife Hera also illustrates a struggle for power.
1.645 Your
guesses [about what I plan to do] . . . are near [the mark]
But there is not one thing that you can do about it
1.650 Sit
down, be still, obey me
or else not all the gods upon Olympos
can help in the least when I approach your chair
to lay my inexorable hands upon you
We have seen two magnificent heroes: AK
& AG. We are about to meet a third: HK (Hektor). AK & AG
are narcissists who care for nothing but their own power. Notice
how different HK is. First of all, he is approachable:
6.281 Now,
when HK reached the Skaian Gates
daughters & wives of Trojans rushed to greet him
with questions about friends, sons, husbands, brothers.
Imagine AK or AG in HK's place.
How would they respond? They would probably answer the women's questions
so they ended up flattering them: "if they are alive, it is because I
led them, I protected them, etc." HK never forgets destiny,
the gods, & harsh reality. HK's answer: "Pray to the gods!"
that fate is kind.
6.306 No,
my dear mother, ladle me no wine.
HK has come home from the battle &
his mother offers him a cold beer. Typically, HK ignores his own
needs to serve others. He says that he has only come from the battle
in order to pray. Who would you expect HK to pray to? Obviously
an Olympian patron for the Trojan side. Who would that be?
Naturally Aphrodite, but is she the divinity you want to invoke in order
to win a battle? Who else is on the Trojan side? You recall
that AG had to offer his daughter Iphigeneia to . . . whom? In effect
he offered to trade Iphigeneia for Helen:
innocence for power/beauty. He sacrificed his daughter to
Artemis, the goddess of innocence. She is a prepubescent tomboy hunter,
so she might be a likely Olympian for HK to invoke. If you looked
Artemis up, you found that she is the twin of Apollo & he is the great
power who defends Troy. So we expect HK to pray to Apollo for victory.
Instead HK prays to the patron of his enemies, to Athena! Notice
what he prays for: simple survival:
6.319 If
in her mercy
relenting toward our town, our wives & children
she keeps Diomedes out of holy Troy
So prince HK puts the concerns of his citizens
above his own & respects the values of his enemies (Athena).
At least he will defend his brother. Wrong!
6.326
If only earth would swallow him [Paris] here & now!
What an affliction the Olympian
brought up for us in him--a curse for Priam
& Priam's children! Could I see that man
dwindle into Death's night, I'd feel my soul
relieved of its distress!
Maybe HK is too hard on Paris?
6.372 He
found his brother in the bedchamber
handling a magnificent cuirass & shield
. . . while Helen
among her household women sat nearby
Paris is playing with his toy soldiers
in his bedroom, while HK & the Trojans fight in his defense!
He plays with his toys even though Helen is in the room! I thought
he was willing to sacrifice anything to gain Helen! Doesn't this
cause us to wonder how mature Paris is? Or even if he is entirely
sane. AK is not the only narcissist in The Iliad.
6.379 Unquiet
soul, why be aggrieved in private?
Our troops are dying out there . . . .
The hue & cry of war, because of you
Paris seems bored by the war. He
says:
6.396 Victory
falls to one man, then another.
We meet Helen for the first time; beauty that inspires violence.
HK is morality personified. Paris seems vacuous & infantile;
mere appetite. How would you characterize Helen? She speaks
to HK, her brother-in-law:
6.401 Brother dear--
dear to a whore, a nightmare of a woman!
Paris apparently has no sense of responsibility for his thoughtless
action. So what does Helen do? She tells HK what he wants to
hear; what Paris failed to tell him. There is another dimension to
this speech. Does she expect HK to agree that she is a whore &
a nightmare who has brought nothing but death & suffering to Troy?
Remember that Helen as much
as AK is a personification of power. She never says anything
that is direct or sincere. Everything she says & does is manipulative,
designed to augment her power & diminish or control the other person.
Thus she flirts with HK in front of Paris:
6.409 I wish I had had a good
man for a lover
who knew the sharp tongues & just rage of men.
This one--his heart's unsound, & always will be.
6.414 You are the one afflicted
most
by harlotry in me & by his madness
Paris & Helen seem to deserve each other. Paris is a pathetic
addict incapable of recognizing anything beyond his immediate infatuation.
Helen seems to be something like a black hole that devours the lives of
everyone around her. These two unhealthy types are contrasted by
the noble couple, HK & Andromakhe. AND has every reason to hate
AK:
6.483 Father is dead, & Mother.
My father great AK killed . . . .
6.492 Then 7 brothers that I
had at home
in one day entered Death's dark place. AK
prince & powerful runner, killed all 7
Instead of dwelling on how much she hates AK, she talks about her many
losses only to state her dependence on HK:
6.500 I have none but you,
nor brother, HK; lover none but you!
Do not bereave your child & widow me!
Should HK play in his bedroom like Paris to avoid peril? If he
did, we would still have more respect for him than we do for Paris.
Because he would be motivated by concern for AND; whereas Paris simply
indulges his appetite. HK's answer is -- as always -- patriotic instead
of self-serving:
6.514 I should die of shame
before our Trojan men & noblewomen
if like a coward I avoided battle
In fact, HK does die in a scene that repeats this idea of shame (dike).
We have already been presented with several moral dilemmas:
HK is magnificent because, unlike AK & AG who sense nothing beyond
their own narcissism, HK knows there is a world that moves with no regard
for him. Unlike Christianity, the message here is that neither
man nor justice is at the center of the universe. The universe is
first & foremost an eruption & manifestation of power.
We must respect that, even if we ultimately oppose some of its fated movements.
Thus HK tells his wife that he would rather be dead than live with the
guilt that he would have, if he failed to give his life for love:
6.538 [& I am the] one
man who could keep you out of bondage.
Let me be hidden dark down in my grave
before I hear you cry or know you captive!
HK is the perfect Greek, anticipating Socrates & Plato. One
is responsible only for one's own life. You cannot change the world.
You cannot be immortal, nor make your family & city immortal.
Time is all powerful. Fate is all powerful. We cannot entirely
understand why beautiful time consumes & destroys the vigor of life
& love. But we must accept reality. For the only other
options are madness (AK's rage) or suicide (AK knows that indulging his
rage is suicidal):
6.566 You know no man dispatches
me
into the undergloom against my fate;
no mortal, either, can escape his fate.
Interestingly, Homer does not end book 6 with this image of HK as metaphysical
philosopher. Instead, he ends with the image of HK as moralist, as
patriot. Like Thetis who cannot help her son, nor change his destiny,
HK cannot change Paris nor save AND from her hard fate. Love cannot
so easily affect power. Yet power so often seems to revolve around
beauty. In any case, HK tells Paris:
6.606 My strange brother!
No man with justice in him
would underrate your handiwork in battle;
you have a powerful arm. But you give way
too easily, & lose interest, lose your will.
My heart aches in me when I hear our men,
who have such toil of battle on your account,
talk of you with contempt.
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